Swords-and-Scandals

?WORD?-AND-?CANDAL?: HOLLYWOOD? ROME DURING THE GREAT DEPRE??ION Ab?tract ?everal Hollywood bring? produced during the Depre??ion twelvemonth? 1932-1935 utilized ?tereotypical im suppurate? of capital of Italy and papistic? to addre?? and to exploit anxietie? precipitated by thi? frugal cata?trophe. Of the?e, two box-office hit?, The ?ign of the compass?? (1932) and papist ?candal? (1933), employ the ?tandard trope of roman print? a? the indulgent oppre??or? of a virtuou?, innocent, only in the long expect triumphant people, but individually figure? it? corrupt Roman? in way? that ?poke differently to Depre??ion audience?. to each one film? repre?entation of Rome draw? on the genre conference? to which the film belong?, hi?torical epic and comedy. Cecil B. DeMille? ?word and ?andal epic, The ?ign of the scope??, focu?ed on the Roman per?ecution of Chri?tian? and offered ?pectator? both an uplifting me??age of ?piritual redemption and vicariou? purpose of Roma n wealth and decadence.

By contra?t, in ?amuel Goldwyn? mu?ical comedy, Roman ?candal?, ancient Rome and Depre??ion America mirror each other; renewal and backup man re?ultimo from a clean?ing of graft and rot from the Roman, and hence al?o the American, political ?y?tem?. Image? of Rome in film? made during the wee 1930? offer a fa?cinating representative of how America? metaphoric relation? hip to Rome took popular and commercial-grade ?hape during a time of outstanding economic hard?hip and political turbulence. American? had never faced anything quite alike the Great Depre??ion before. There had been eco nomic depre??ion? in the pa?t, but nothing a! ? cata?trophic and enduring a? the import? that followed in the wake of unforgiving Tue?day, October 29, 1929. In the fir?t two month? by and by the Cra?h, the number of laid-off in the United ?tate? went from fewer than half a meg to more than four... If you want to get a full essay, pronounce it on our website: OrderCustomPaper.com

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